Sarangapani Jathakam Review and Rating: Better Luck Next Time!

After the disappointing result of Aa Ammayi Gurinchi Meeku Cheppali (2022), director Mohana Krishna Indraganti is back with Sarangapani Jathakam. This time, Priyadarshi takes the lead, fresh off his recent success in Court. So, how does this new film fare? Let’s take a look at what clicks—and what doesn’t.

Story

Saranga (played by Priyadarshi) has believed in astrology since he was a kid. Things seem to be going well when he gets engaged to his love, Maithili (Roopa Koduvayur). But soon, astrology starts interfering with their relationship. The film follows Saranga as he slowly realizes how his blind faith is holding him back—and how he decides to break free from it.

Performances

Priyadarshi does a decent job leading the film. The role suits him, especially since it's about an underdog. While he shows potential, his performance lacks depth at times. He needs to be more expressive to make Saranga’s character truly relatable.

Roopa Koduvayur plays an important role, but sadly, she doesn’t get enough screen time. She does okay with what's given to her, though her look and presence could’ve been stronger.

Supporting Cast

Veteran actor Naresh is barely used, and so are other solid performers like Vennela Kishore, Viva Harsha, Avasarala Srinivas, and Tanikella Bharani. They show up—but leave no lasting impact. The only one who makes a bit of an impression is Vadlamani Srinivas, who plays Saranga’s father. His performance feels somewhat more real.

Music & Technical Aspects

Vivek Sagar’s music doesn’t really stand out. The songs are forgettable, and the background score is just okay—except for one decent tune. PG Vinda’s cinematography is decent for a low-budget film. Visually, the movie looks fine. Editing by Marthand K. Venkatesh could’ve been sharper, especially in the hotel scenes in the second half, which drag on.

Positives

Situational comedy

Witty dialogues

Grandmother sequence

Entertaining climax

Negatives

Thin storyline

Over-reliance on coincidences

Predictable narrative

Chaotic Second Half

Review:

Sarangapani Jathakam brings back the flavor of comedy that director Indraganti Mohana Krishna is celebrated for. Staying true to his signature style, the film thrives on situational humor, and the performances — especially from the lead cast — are a major driving force behind the laughs.

The film spins a quirky tale around a man obsessed with astrology. Indraganti adapts the core idea into a fun, contemporary setting — but the protagonist’s deep-rooted belief in astrology isn’t explored convincingly. The film prioritizes humor over emotional depth or logical buildup, making the central twist and conflict resolution quite predictable.

That said, the comedy does hit the mark in several places. The sequences featuring Priyadarshi and Vennela Kishore as bumbling would-be killers are hilarious, with their repeated failures mined for maximum laughs. A particular scene involving a grandmother is a standout — pure comic gold.

The chaos in the second half is entertaining but doesn't fully embrace the potential of madcap comedy. The pacing dips momentarily, especially during the breakup subplot, which feels abrupt and undercooked. Much of the latter half unfolds in a Vizag hotel, with varying degrees of success across the episodic setups.

Just when the film seems to be running out of steam, the climax steps in with a punch — smartly crafted and genuinely funny, it lifts the overall impact.

In the end, Sarangapani Jathakam is a light-hearted entertainer that banks heavily on situational comedy and sharp dialogues. While the laughs are fairly consistent, the underdeveloped story and predictable arc leave you wanting more. It’s enjoyable in parts, but falls short of being a laugh riot.